Factory sounds
* 1010 patches
* 183 wavetables

Oscillators
* 3 oscillators/voice
* 8 versatile oscillator algorithms: Classic, Sine, Wavetable, Window, FM2, FM3, S/H Noise and Audio-input
* The classic oscillator is a morphable pulse/saw/dualsaw oscillator with a sub-oscillator and self-sync.
* The FM2/FM3 oscillators consists of a 1 carrier with 2/3 modulators and various options.
* Most algorithms (except FM2, FM3, Sine and Audio-input) offer up to 16-voice unison at the oscillator level.
* Oscillator FM/ringmodulation
* Most oscillator algorithms (except FM2/FM3) are strictly band-limited yet still cover the entire audible spectrum, delivering a clear punchy yet clean sound.
* Noise generator with variable spectrum.
* Visual feedback of k

Filterblock
* Two filter-units with arrangeable in 8 different configurations
* Feedback loop (number of variations inside the parenthesis)
* Available filter-algorithms: LP12 (3), LP24 (3), LP24L (1-4 poles), HP12 (3), HP24 (3), BP (4), Notch (2), Comb (4), S&H
* Filters can self-oscillate (with excitation) and respond amazingly fast to cutoff frequency changes.
* Waveshaper (5 shapes)

Modulation
* 12 LFO-units available to each voice (6 are running on each voice and 6 are shared for the scene)
* DAHDSR envelope generators on every LFO-unit
* 7 deformable LFO-waveforms + 1 drawable/stepsequencer waveform
* LFO1 allows envelope retriggering when used as stepsequencer
* Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated.

Effects
* 8 effect units arranged as 2 inserts/scene, 2 sends and 2 master effects
* 10 top-quality algorithms: Delay, Reverb, Chorus, Phaser, EQ, Distortion, Conditioner (EQ, stereo-image control & limiter), Rotary speaker, Frequency shifter, Vocoder

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